Friday 18 December 2009

OUGD301 Evaluation

In this term I feel I have pushed the limits of what I am capable of and produced some of my best work so far on this course; at the same time I think there are many aims I have not fully achieved during this module.

The things that I am happy I have achieved include the technical level of the work I have produced. I feel that I have reached a level of skills with software, layout, typography and craft that have enabled me to produce a really high standard of work. I set out at the beginning of this module wanting to produce a strong portfolio and this level of technical proficiency has enabled me to do so. Although I didn’t a very good job of planning how I was going to structure my time at the outset of this module, partly because of planning to do some live briefs that didn’t come through and partly because of indecisiveness. I think as the module has progressed I have managed to plan and organise my time fairly well. This gave me ample time at the end of the module to get things finished to the standard I want. I have managed to use and improve on a lot of the skills that I planned on utilising at the beginning of the module, including screen printing, photography and experimental typography, which I am pleased about. I have also improved skills that I hadn’t planned on improving or didn’t know I needed to improve most notably typography and layout and also creating a typeface. I undertook a collaborative project this module with Patrick Holmes, which is something I enjoyed a lot. I think we worked well together and brought different skills to the project; together we produced something which neither of us could have produced on our own. I think I have become comfortable in how I structure the way I work, working through a project in a (relatively) organised fashion and being considerate but decisive about the directions I take. I think my contextual understanding of where my work I fits into design, and also what kind of design work I want to do and who I want to work for has grown greatly this module. I think my biggest interest lies in working for the creative sector and cultural institutions, like galleries and museums.

In this module there are areas in which I am not happy with how I performed. I didn’t manage to fulfil all the things I set out to do in my rationale; I didn’t manage to make a website and didn’t manage to incorporate an element of sustainable thinking into any of my briefs. However this is, in part, due to one of the ideas I have drawn from the writing and reading I have done for my dissertation so far. I have come to think that to a greater or lesser extent graphic designers have a fairly limited role in what they can do regarding issues of sustainability, to quote Ken Garland the writer of the original first things first manifesto: “The reality for me is that my vote and my political actions are probably more important than anything I can do as a graphic designer.” (Ken Garland interview by Lucienne Roberts, 2006). I feel this is one of the reasons why I have not concentrated that heavily on using my graphic design practice to address these types of issues.

The only brief that I am somewhat unhappy with this module is the YCN Ted Baker brief, I think I jumped into an idea and a way of working too quickly and without enough thought, as a result my concept never really felt like it was going places. Obviously next module this is something that I want to avoid at all costs by giving plenty of thought and time in the planning stages of the project. On the other hand I feel as though I was not decisive and ruthless enough with the ISTD Environment / Typography / Environment project and I got bogged down in it, which can be really frustrating. It is good to see both ends of the spectrum and know how I work best. I think the way I work has become much more organised over the last two years however they way I document my work is still fairly erratic which is something I need to work on in the future. This module I did six briefs, which I feel was maybe spreading myself a bit too thin, in the future I would like be able to give more time and energy to a smaller number of briefs. I feel that I have played it fairly safe in this module, sticking with ways of working that I am comfortable with, and focussing on a highly finished end results as opposed to a strikingly original idea. While my projects all look great I feel that there could be room for more experimentation. Next term I would like spend more time coming up with exciting and original ideas, once I get into industry there will be all kinds of restrictions on the work I do, so now, while I have the freedom, it makes sense to be as experimental as possible.

Wednesday 16 December 2009

Fedrigoni Boards


I did a quick plan of the content and then laid out the three boards. I chose to print them on the matt paper stock that James has downstairs as it looks great, even though its a bit more expensive than card from the library.
























































Ted Baker Boards

Again I did a quick plan of the layout and then put the boards together. Printed on matt stock.


















































Monday 14 December 2009

Ted Baker Window Display

Resulting from feedback from one of the crits I changed the colour of the part of the banner that surrounds the type, for the Ted Baker animation. I changed it from a lighter blue to a darker one to make it more legible.

Saturday 12 December 2009

Beauty in the Ordinary Boards



















Headline Boards



















Alice's Adventures in Wonderland Boards



















Environment Typography Environmnet Boards















First I did a quick sketch of what I wanted to inculde on the boards and how I planned to lay it out.



















As a result of the feedback from the crit I decided to change the content of the first board, the original is picture above. I removed the secondary research and put an explanation of how each of the typefaces relates to my primary photographic research. Below are the final five boards in order.











































































Headline on Display

The Headline posters are up in Urban outfitters finally. I went down a couple of days ago and took some photos. They havn't really been displayed that well, but its nice to get my work up where so many poeple will see it.



















Friday 11 December 2009

Fedrigoni Paper Stocks

One of the main considerations of the Fedrigoni brief was how could you best showcase the range of Fedrigoni papers. I decided that I was going to design a calendar and bind it with several different paper-stocks. The caledar itself was 28 pages long, this meant that I needed 7 different sheets of paper to make up the booklet and therefore 7 different stocks. I sent off for the sample pack of Fedrigoni paper that was available on their website. However it still hasn't arrived so I've had to source a selection of paper from around leeds.

I wanted to use a selection of off white stocks, because I though this would tie in with the classic, sophisticated feel of my design. I also though that because the target audience was graphic designers they would really appricate the simplicity and purity of black ink on white paper.































Every page of the calendar has the paper type that it is printed on written in the bottom left hand corner. In order to make sure that I could match up the correct paper types with the correct pages, when setting up the Indesign documnet, I made a little mock up to work out which pages would be printed on which piece of paper.


Fedrigoni Embossing

As part of my concept for the Fedrigoni brief I decided to emboss the word 'paper' on the front of the calendar. The tagline for their London shwroom is 'a place for paper'. I thought it would be really nice if the paper itself could say the word 'paper' without any ink or printing process, embossing seemed like the obvious solution.













To emboss the paper, first I created a mould or stencil by cutting the shape I wanted to emboss out of some card. Then I used a bone folder to push of all the edges around the stencil. Above are a couple of test pieces. I found the best way to do it was to use a reverse mould and push the paper through from the back so you can't see the marks the bone folder makes on the paper.



















I made a stencil of the word 'paper' with the typeface I had designed




















I wanted to make the embossing deep so it was really clear and easy to read. However when I put two layers of card on top of one another it was too deep and the paper I was embossing ripped when I went round the edges with the bone folder, as you can see in the image below.


























I chose to emboss the belly band for the calendar because I really liked the contrast between the coloured paper of the belly band and the thick off white cover stock, it also meant I could showcase more of the Fedrigoni paper range, which was one of the requirements of the brief.

I experimented with a couple of colours for the belly band, I settled on the dark blue because I felt that it was in keeping with the understated, classy feel of the calendar.

Wednesday 9 December 2009

Fedrigoni Test Piece













Today I printed one of my ideas for the final Fedrigoni calendar, because the cover is a fairly thick stock and is difficult to emboss I considered just using the type I had designed on it (as above). However after talking to Joe I realised that the embossing idea adds a lot to the calendar and is worth taking further.

Tuesday 8 December 2009

Fedrigoni Calendar

I experimented with a few different styles of calendar grid, I think I will go with the top one.





























































Monday 7 December 2009

Fedrigoni Map



I designed a map with the location of Fedrigoni's London showroom to go in the back of the calendar.


Fedrigoni Secondary Typeface

I need to choose a secondary typeface for the Fedrigoni calendar. Setting the whole thing in my folded paper typfeace would not be practical. I tried out a few different typefaces to see how they would work with the typeface I designed. I want the calendar to have a sophisticated, classy feel.




















Thursday 3 December 2009





























I was interested in what kind of typography I could make using paper and I stsrted to develop some type by folding strips of paper as you can see in the images above. I didn't really wanted to use paper engineering as part of my final calendar design as I felt that it would be too time consuming.

I started to fairly quickly develope a typeface based on the folded paper idea.















Becasue it has a consistant structure and I set some strict rules it was fairly quick to develop.

















I new I was designing a calendar so the next thing I did was to set all the months of the year in the typeface to see how they read.





















I experimented developing the typeface further, while I like the results, I think it is overcomplicating things. I think I might use the simpler version of the typeface.

Ted baker Clothes Tags

I printed out the clothes tags in a few different colours and some different coloured paper stocks. I actually really like how they all turned out although I don't think they are completely in keeping with the rest of the campaign. I will probably on use a couple of them as part of the final campaign.

Lighting Studio

Me Jimmy, Scott and Alex hired out the lighting studio today to get some product shots, they come out so crisp using the big flashes.













































































































I also helped Alex shoot some rather cool photos, involving throwing a deck of cards around, for her Alice in wonderland project.